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Spatial music is composed music that intentionally exploits sound localization. Though present in Western music from biblical times in the form of the antiphon, as a component specific to new musical techniques the concept of spatial music (''Raummusik'', usually translated as "space music") was introduced as early as 1928 in Germany.〔Beyer, Robert (1928). "Das Problem der ‘kommenden Musik'" (Problem of Upcoming Music ). ''Die Musik'' 20, no. 12: 861–66. 〕 The term ''spatialisation'' is connected especially with electroacoustic music to denote the projection and localization of sound sources in physical or virtual space or sound's spatial movement in space. ==Context== The term "spatial music" indicates music in which the location and movement of sound sources is a primary compositional parameter and a central feature for the listener. It may involve a single, mobile sound source, or multiple, simultaneous, stationary or mobile sound events in different locations. There are at least three distinct categories when plural events are treated spatially:〔Maconie, Robin (2005). ''Other Planets: The Music of Karlheinz Stockhausen'' (Lanham, Maryland, Toronto, Oxford: The Scarecrow Press, Inc.): 296. ISBN 0-8108-5356-6.〕 #essentially independent events separated in space, like simultaneous concerts, each with a strong signaling character #one or several such signaling events, separated from more "passive" reverberating background complexes #separated but coordinated performing groups. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Spatial music」の詳細全文を読む スポンサード リンク
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